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Sunday, December 8, 2019

Modernism and Interior Design for Modernity-myassignmenthelp

Question: Discuss about theModernism and Interior Design for Modernity. Answer: Design can be art. Design can be aesthetics. Design is so simple, thats why it is so complicated[1]. The above quoted lines of Paul Rand give an overview of the importance which has traditionally been attached with the concept of design. It is significant to note that the human beings have an inherent desire within them to surround themselves with objects which are not only beautiful but also pleasing and soothing to the eyes as the famous romantic poet John Keats says in his poem Endymion, A THING of beauty is a joy forever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. From our dark spirits.[2] However, it is significant to note that the concept of beauty is a very relative one especially in the context of the arts and aesthetics. Therefore, the concept of beauty and design has been undergoing rapid transformation ever since the tradition[3]. Thus, the thing which was appealing as well as enticing to a particular generation might not prove be equally pleasing to the next generation or any other generation for that matter[4]. This particular essay intends to analyze the particular an interior designing object namely chair in the context of the famous quote Industrialization, urbanization and an increased potential for social mobility the defining features of modernity encouraged ever larger numbers of people to regard the design of their interiors as an increasingly important aspect of their lives of Penny Sparke from her famous work The Modern Interior. The Industrial Revolution of the 19th century greatly modified not the way business was conducted at that particular period of time but also impacted the way the society as well as the culture of the contemporary world at that particular period of time[5]. It is significant to note that the technologies as well as the latest innovations which the Industrial Revolution made available to the people at that particular had an impact on the interior design and the architecture industry[6]. Furthermore, in the present times, the various contemporary art movements have also made a significant contribution towards the interior designing as well industry. The opinion of Penny Sparke is significant to note here Through the impact of shops like Habitat and IKEA, and of the countless glossy magazines, books and catalogues that focus on the concept of interior design, we have all become familiar with the idea of our homes and public interiors containing items of modern furniture and decor.promote d through exhibitions, retail contexts and the mass media, and that it rarely exists in an absolute form[7]. This change has generally been attributed to the advent of the Industrial Revolution and its related aspects like globalization, urbanization, social mobility and others. Chairs form an important part of almost all the households and have been in use since the ancient times. However, it is to be noted that in the present with the development of the genre of interior designing and architecture the purpose of the chairs in the households have undergone a drastic transformation[8]. It is significant to note that the various chairs which once used to serve the purpose of sitting objects are now increasingly used as objects of decoration and also for contributing to the aesthetic beauty of the household[9]. Furthermore, it is also significant to note that with the advent as well as the development in the field of abstract arts the primary purpose for the use of the various chairs have undergone a drastic transformation. The advancement in the technological field is generally attributed as one of the primary reasons for this particular change in the use of the chairs. This particular change can be traced back to the Victorian Age when with the advent of the various art movements the designing of the chairs also underwent a rapid change[10]. It is a reflection of this that the various Victorian chairs when observed through the lens of the present advancements in the fields of art will reveal rudimentary forms of the various present day art movements in caricature form[11]. However, in the present times, the interior designing experts like Mika Tajima take into consideration the current needs as well as the requirements of the customers and also the recent developments in the field of technology and innovations to render moving designs[12]. Furthermore, another significant thing to note is that the people have become much more sophisticated than they were a century ago or for that matter a few decades ago. It is a reflection of this that the chairs in the present times have undergone a drastic both in artistic design as well as the purpose for which they are being used. There are various factors which facilitated the shift from the Victorian era designs to the modernist designs. In the opinion of Penny Sparke the realities as well as concepts of the modern interior, whether in the hands of professional decorators and designers, or in those of its amateur inhabitants have necessitated the transformation which the interior designs have undergone in the present times[13]. Furthermore, her work provides a penetrating account of the shift from Victorian to modern style, and demonstrates that the easy transition to the modern interior so frequently portrayed is little more than a mythology. It is significant to note that in the light of these comments of Sparke the transformations undergone by the household object, namely, chairs begins to unravel itself[14]. Moreover, in the opinion of Margaret Fuller Art can only be truly art by presenting an adequate outward symbol of some fact in the interior life. Thus, in the present times the various household obje cts have coterminous with the character as well as the personality of the individuals who own that particular place. Therefore, in the present times, the various individuals like to procure chairs and other household objects as per their economic, cultural or educational status. Modernism is often considered to be one of the primary driving factors for the transformation which the art and the interior designing industry have experienced in the recent times. In the opinion of T.J. Clark articulated in his famous work Farewell to an Idea: Episodes from a History of Modernism, Modernism had two great wishes. It wanted its audience to be led toward a recognition of the social reality of the sign (away from the comforts of narrative and illusionism, was the claim); but equally it dreamed of turning the sign back to a bedrock of World/Nature/Sensation/Subjectivity which the to and fro of capitalism had all but destroyed. In the later part of the 20th the concept of modernism penetrated not only the genre of literature but of art as well and it is a reflection of this that the art industry experienced the transformation. The factor which most influenced the transformation of interior design industry was the uneasiness which was caused by the modern hectic and which finds its adequate portrayal in the book All That Is Solid Melts Into Air by Marshall Bernam I'm beginning to feel the drunkenness that this agitated, tumultuous life plunges you into. With such a multitude of objects passing before my eyes, I'm getting dizzy. Of all the things that strike me, there is none that holds my heart, yet all of them together disturb my feelings, so that I forget what I am and who I belong to[15]. Furthermore, the desire to use the modern day objects and also to take the help of the latest technology as well as innovations has been adequately captured in the words of the same author when he says that All fixed, fast-frozen relations, with their train of ancient and venerable prejudices and opinions, are swept away, all newformed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and men at last are forced to face ... the real conditions of their lives and their relations with their fellow men[16] . The Industrial Revolution entailed with itself the rise of the bourgeoisie and it was the rise of this particular which contributed in a significant manner to the further development of the concept of interior designing by their wish to decorate their households with the latest household products and goods[17]. Thus, the author comments that The bourgeoisie cannot exist without constantly revolutionizing the instruments of production, and with them the relations of production, and with them all the relations of society .... Constant revolutionizing of production, uninterrupted disturbance of all social relations, everlasting uncertainty and agitation, distinguish the bourgeois epoch from all earlier ones[18]. Furthermore, the remark of Nietzsche's articulated in his famous work Beyond Good and Evil (1882) are pertinent to observe in this particular context At these turning points in history there shows itself, juxtaposed and often entangled with one another, a magnificent, manifol d, jungle-like growing and striving, a sort of tropical tempo in rivalry of development, and an enormous destruction and self-destruction,.Again there is danger, the mother of morality-great danger-but this time displaced onto the individual, onto the nearest and dearest, onto the street, onto one's own child, one's own heart, one's own innermost secret recesses of wish and will[19]. Thus, it can be said that modernity formed one of the basic reasons for the transformation which the interior design underwent in the later part of the 20th century and also in the present times. The transformation underwent by the household object chair becomes totally logical when seen through the lens of the concept of modernism. It was the advent of the concept of modernism as well as the Industrial Revolution which necessitated the change undergone by the chairs as household objects[20]. Therefore, it is seen that in the present day, the chairs are no longer just a sitting object but a decorative object as well. Thus, the various individuals in the present times select as well as buy chairs which go along with the interior design as well as the decoration of their household[21]. It is significant to note that individuals in the present times more than concentrating on the comfort level of theirs focus on the artistic beauty of their homes[22]. To conclude, it becomes apparent that the genre of interior designing in the present times has undergone much transformation since its initiation in the traditional times. The advent of industrialization, globalization, social mobility and various others are significantly responsible for this particular transformation. Thus, the common household object chair in the present times is no longer just an object which is used for the purpose of relaxation but has become an important tool for the decoration of the interior of the household. This particular change has commonly been attributed to the advent of modernism and the various art movements which entailed it. References Alfoldy, Sandra, ed.Craft, Space and Interior Design, 1855? 005. Routledge, 2017. Berman, Marshall.All that is solid melts into air: The experience of modernity. Verso, 1983. Burrell, Gibson, and Robert Cooper. "Modernism, postmodernism and organizational analysis: an introduction." InFor Robert Cooper, pp. 149-175. Routledge, 2015. Carlton, Dennis W., and Jeffrey M. Perloff.Modern industrial organization. Pearson Higher Ed, 2015. Dodsworth, Simon, and Stephen Anderson.The Fundamentals of interior design. Bloomsbury Publishing, 2015. Guilln, Mauro F. "Modernism without modernity: The rise of modernist architecture in Mexico, Brazil, and Argentina, 1890-1940."Latin American Research Review39, no. 2 (2004): 6-34. Hawken, Paul, Amory B. Lovins, and L. Hunter Lovins.Natural capitalism: The next industrial revolution. Routledge, 2013. Hitt, Michael A., R. Duane Ireland, and Robert E. Hoskisson.Strategic management cases: competitiveness and globalization. Cengage Learning, 2012. Keats, John.Endymion. Estes and Lauriat, 1888. Kirkham, Pat. "Humanizing Modernism: The Crafts,Functioning Decorationand the Eameses."Journal of Design History11, no. 1 (1998): 15-29. Mantoux, Paul.The industrial revolution in the eighteenth century: An outline of the beginnings of the modern factory system in England. Routledge, 2013. Mitton, Maureen, and Courtney Nystuen.Residential interior design: A guide to planning spaces. John Wiley Sons, 2016. Rand, Paul.Thoughts on design. Chronicle Books, 2014. Reid, Susan E. "Cold War in the kitchen: gender and the de-Stalinization of consumer taste in the Soviet Union under Khrushchev."Slavic Review61, no. 2 (2002): 211-252. Sabatino, Michelangelo. "Ghosts and Barbarians: The Vernacular in Italian Modern Architecture and Design."Journal of Design History21, no. 4 (2008): 335-358. Schwab, Klaus.The fourth industrial revolution. Crown Business, 2017. Sparke, Penny, and Fiona Fisher, eds.The Routledge companion to design studies. Routledge, 2016. Sparke, Penny, ed.Biography, identity and the modern interior. Routledge, 2017. Sparke, Penny.An introduction to design and culture: 1900 to the present. Routledge, 2013. Varga-Harris, Christine. "Homemaking and the aesthetic and moral perimeters of the Soviet home during the Khrushchev era."Journal of Social History41, no. 3 (2008): 561-589.

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